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FINE CUT FILMS - MEDIA SKILLS |
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![]() It's lonely out there - under the hot lights in a television studio. But, like it or not, that's just where you could find yourself one day soon. And you've got to do it right or it could harm you, your company or your product. So what are you going to do? If you're suddenly faced with a PR crisis, could you cope? A year ago people at Arthur Andersen would have scoffed at such a question. Now they're... well they're not at Arthur Andersen any longer. And it needn't take shady dealing to get you in front of the camera. Television is increasingly part and parcel of business and personal concern. If you've come up with a perpetual motion machine or a goose that lays golden eggs you'll find yourself in front of a camera sooner or later. Do you know how to handle the experience? Television is bigger than real life. It's not a meeting in the office, not a reporter you can put on hold, It's a non-stop performance where you've got one chance, and one chance only. With harsh lights, cameras that reveal every tiny twitch or lick of the lips and an interrogator who will dig deep into your soul. Do you think you could cope? The best thing, of course, is to have some practice. With real lights, real cameras and a real interviewer. See for yourself how you look on camera, hear how you sound, watch how you react. Are you saying less than you want and revealing more than you should? Fine Cut Films offers you the real experience. Credibility is a skill you can't learn in front of a mirror. If you don't want to bother with a course, explore the various sections. But if you do decide you need real practice, check the link to see what Fine Cut Films has to offer.
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