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It's
lonely
out
there
-
under
the
hot
lights
in
a
television
studio.
But,
like
it
or
not,
that's
just
where
you
could
find
yourself
one
day
soon.
And
you've
got
to
do
it
right
or
it
could
harm
you,
your
company
or
your
product.
So
what
are
you
going
to
do?
If
you're
suddenly
faced
with
a
PR
crisis,
could
you
cope?
A
year
ago
people
at
Arthur
Andersen
would
have
scoffed
at
such
a
question.
Now
they're...
well
they're
not
at
Arthur
Andersen
any
longer.
And
it
needn't
take
shady
dealing
to
get
you
in
front
of
the
camera.
Television
is
increasingly
part
and
parcel
of
business
and
personal
concern.
If
you've
come
up
with
a
perpetual
motion
machine
or
a
goose
that
lays
golden
eggs
you'll
find
yourself
in
front
of
a
camera
sooner
or
later.
Do
you
know
how
to
handle
the
experience?
Television
is
bigger
than
real
life.
It's
not
a
meeting
in
the
office,
not
a
reporter
you
can
put
on
hold,
It's
a
non-stop
performance
where
you've
got
one
chance,
and
one
chance
only.
With
harsh
lights,
cameras
that
reveal
every
tiny
twitch
or
lick
of
the
lips
and
an
interrogator
who
will
dig
deep
into
your
soul.
Do
you
think
you
could
cope?
The
best
thing,
of
course,
is
to
have
some
practice.
With
real
lights,
real
cameras
and
a
real
interviewer.
See
for
yourself
how
you
look
on
camera,
hear
how
you
sound,
watch
how
you
react.
Are
you
saying
less
than
you
want
and
revealing
more
than
you
should?
Fine
Cut
Films
offers
you
the
real
experience.
Credibility
is
a
skill
you
can't
learn
in
front
of
a
mirror.
If
you
don't
want
to
bother
with
a
course,
explore
the
various
sections.
But
if
you
do
decide
you
need
real
practice,
check
the
link
to
see
what
Fine
Cut
Films
has
to
offer.
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