FINE CUT FILMS - MEDIA SKILLS


DOWN THE LINE

Loneliness in a mass medium

This is a variation on the one interviewer - one interviewee, but, typically the two people are in different cities if not different countries. Usually live, but not always.

Remote studio interviews are very difficult. You're stuck in a hot little box of a room with maybe one camera operator who has no interest in you or your image. You can't see the interviewer or even hear him very clearly.

Try your best to imagine he's there in the room with you. Difficult, but when it works it's brilliant.

The lack of a second person makes this quite difficult. There will usually be someone in the studio with you, but he or she will probably be a technician and more concerned with getting your lighting right than settling your nerves.
You'll probably hear the questions through a deaf-aid earpiece that's been thrust in your ear. Quite disconcerting, but try to think of it as a telephone call with an acquaintance.
The general arrangement seems to be to ask the interviewee to look at a camera. This is seventeen and a quarter times more difficult than staring at the interviewee. At least he nodded encouragingly from time to time - the glass lens just glares at you emotionless and harsh!
Some studio directors ask the interviewee to look not at the camera, but at a point a little to the left or right of the lens. If that happens to you, ask for some sort of aid to help you focus - a photograph of the interviewer would be ideal, but even a studio clock is better than nothing. An off-air monitor may be worse than nothing - you'll be looking straight at yourself, but that self on screen will be looking slightly sideways. Most distracting.
Because of the limitations of the deaf-aid communications, you may not know exactly when transmission begins and ends. Be ready with your interesting face (and a smile if it's a light-hearted interview) just in case. And don't, whatever you do, turn away or start disconnecting your microphone until you're given the all clear. You may think you're off air, but the remote studio may still have your picture in a window behind the link man while he talks about the launch date of your book or whatever.

Next - Chat Shows and the Book Plug Circuit.

Doorsteppers