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FINE CUT FILMS - PRODUCTION |
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There are many different kinds of script used in making film and television programmes. Indeed, some people make holiday movies without any written notes whatsoever. But if you're more than a one man band, you soon learn that the more preparation and organisation you do before the shoot, the easier and better life is later. You wouldn't start to build a house without a detailed set of plans; don't try to build a blockbuster movie without the same sort of planning. So you need to be able to read a script and understand it. Even more important, if you're writing a script make sure it's in the format an agent or producer expects. If it isn't even the best script will end up in the 'pass' tray.
Scripts come in two main flavours; one kind for location work using single camera techniques and a more comprehensive kind for multi-camera television productions. Let's start off with the single camera style; what's called the 'Hollywood layout'. Click on the link to see an example; it should load into a separate page so you can look at it side by side with this. Although everybody now uses word processors to write, variants on a 'typewriter' font seem to make the script feel familiar.
Hollywood or location or single camera scripts are fairly straightforward. Because you're only shooting one shot at a time, there's plenty of opportunity to clarify with other people what's needed for the next setup. The multi-camera script, though, is a different sort of animal.
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